dream and strategy
I am ever so much more a poet now.
A startling awakening, but gentle- you know-
like coming upon a new tree in a field you used to walk
a time and a half ago, when there was only grass
It is not the words, for even now they scrape, out of shape,
through mental ligaments. I write less.
But I walk more, and I speak plainly, for apparently I’ve lost the art of adornment.
I walked half-witted into anguish and it jolted me awake.
Do you know the wandering?
The lovely but vague paths of foot and thought,
the words words words of the playwright;
and latent strength waiting like the sea below a dock.
And then the electric incision. The indiscriminate pain.
Once I brought the edge of a shovel down hard on a brown snake
and its lithe body jolted over and over; every muscle angry; its tongue
grasping at air as if trying to escape on its own,
and as I killed, I wished I could have left it lying lazy and alone.
But I wish no languor on my soul.
Wandering must share its space with exploration,
and exploration with purpose. To bring it to the surface:
I stand forever at a crossroads between dream and strategy.
And to defend the soft animal of my heart when cruelty
I want to curl tight like a fern to the touch.
But instead I learn, every day, to open my arms.
I learn how to walk instead of write; how to make every step a vibrant,
tactile act of creation.
Once I wrote a poet’s words.
Now I wield them.
(ft. inspiration by Mary Oliver, Shakespeare, and Lin-Manuel Miranda)